There's a kind of multiple resonance to the title of this post: while Henry Purcell's music for King Arthur (1691) does indeed come after his most famous work, Dido and Aeneas (1680), there's also another aspect: what does one listen to after Dido? Where

Where do you go with Dvořák after the "New World" Symphony or the Slavonic Dances? Try the Piano Concerto.

For those that thought the mystery cult of the conductor was dead, meet Theodor Currentzis.