Echoes is a vibrant journey, its contents perfectly considered, the superb performances beautifully delivered

InVoyageIntime,sopranoSandrinePiau&pianistDavidKadouchexplorewhatitfeelsliketobealiveThisisthedebutrecordingfromthenewlycreatedduoofrenownedsopranoSandrinePiauandpianistDavidKadouch.SandrinePiaunotablyenjoysinterminglinglanguagesandtheworldsofdifferentcomposersandpoetsaroundathemeandsoonthisdisc,Schubert,Liszt,WolfandClaraSchumannrubshoulderswithLiliBoulanger,DuparcandDebussy.“Thepromiseofnewhorizons,thejoyofnewencounters:thejourneyinallitsformswasthecommonthreadofthisrecitalforbothofus.Fromtheq

* Cellist Jan Vogler runs his own chamber music festival in Moritzburg near Dresden. All of his recordings with musicians from the Moritzburg Festival have received excellent reviews. The festival also formed its own Moritzburg Festival Orchestra under conductor Josep Caballé Domenech. The orchestra is made up of excellent young musicians

Michael Spyres never fails to impress. Traditional voice types of today tend to disappear as Spyres brings in ideas of teh Baroque era, when the word 'tenor' was too restrictive: : then, there was tenor-bass, baritonor, contre-ténor, haute-contre, Spieltenor, tenor and tallie, plus the most flexible of all, tenore assoluto. Michael

François Couperin (1668-1733) was only in his early twenties when the Messe à l’usage des Parcisses pour les Fêtes Solemnelles (Solemn Mass for the Parishes) was published in 1690. The piece is based on the idea of alternating organ music with sung text within the context of a liturgical

The work of John Nelson in Berlioz's music is one of the glories of the present day

Génération @ Aix: Carte Blanche à Renaud Capuçon Members of Génération @ Aix; Renaud Capuçon (violin / director). Grand Théâtre de Provence, Aix-en-Provence, 16.04.2023 Bach     Brandenburg Concerto No. 3 in G, BWV 1048 (1721) Sollima   Violoncelles vibrez  (version for six cellos, 1993) Bach      Concerto for two Keyboards in C, BWV 1060